Helena Ravenclaw: Difference between revisions
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<span style="font-size: 130%;">Faculty: Ravenclaw |
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<span style="font-size: 130%;">Helena is very, very old. And her trouble is that most of these years she had spent as a ghost, devoid of human joys. Smart, liberated, devoid of false modesty, she easily achieves what she wants with the help of her beauty and intelligence, but not for the purpose of profit: Elena is a ghost, and does not need anything, well, except for the joys that she is deprived of. She is simply trying to enjoy her afterlife - and perhaps even using these as a way to find the meaning for all of it.</span> |
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Position: DADA teacher |
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The only daughter of Candida Kogtevran, Helena passed away nearly a thousand years ago, becoming one of the castle’s ghosts. For a woman of the eleventh century, she holds quite progressive views on both social norms and the curriculum and teaching methods for students. Beautiful and stylish, intelligent and refined, uninhibited and devoid of false modesty, Helena takes an active part in Hogwarts life. Unable to interact with people physically, she derives equal pleasure from displaying her body and observing the living, primarily men. Fully aware of her own attractiveness, Helena does not use it as a tool for manipulation - she simply enjoys feeling alive. |
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<div style="color:LightGreen;font-size:160%;text-align:center">List of scenes:</div> |
<div style="color:LightGreen;font-size:160%;text-align:center">List of scenes:</div> |
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Revision as of 17:21, 22 May 2026
Faculty: Ravenclaw Position: DADA teacher The only daughter of Candida Kogtevran, Helena passed away nearly a thousand years ago, becoming one of the castle’s ghosts. For a woman of the eleventh century, she holds quite progressive views on both social norms and the curriculum and teaching methods for students. Beautiful and stylish, intelligent and refined, uninhibited and devoid of false modesty, Helena takes an active part in Hogwarts life. Unable to interact with people physically, she derives equal pleasure from displaying her body and observing the living, primarily men. Fully aware of her own attractiveness, Helena does not use it as a tool for manipulation - she simply enjoys feeling alive.
List of scenes: